c629ae110864dd89edf2ec44ae64891fa8e62f41
THE SPRITES. The match opponent borrowed the turned CPU's art — a body drawn to SHAMBLE at the camera with its racket hanging at its side, which is what was playing tennis points against you. It has its own family now, 'r', drawn off the LIVING opponent's poses: a ready stance, a shuffle pair and a real forehand, at every wound stage, men's and women's — 20 frames, six batches. 'c' keeps its shamble untouched, because in the gore mode shambling is exactly what the turned CPU should be doing. The pose comes from racketAI's own `pose`, so the picture cannot drift from the behaviour, and a one-armed opponent still plays tennis instead of reverting to a walk. Two pipeline bugs found doing it, both fixed at the root in assets/: - _fine.py keyed EVERY magenta pixel, not just the background, and the generator paints racket strings in the backdrop colour more often than not — so frame after frame installed a man holding an empty hoop. Background is now the region connected to the border; magenta left INSIDE a body is repainted pale grey rather than punched out. - the flood fill silently did nothing, because Image.fromarray images are read-only and PIL's floodfill swallows the write error. .copy() plus a real error if it ever fills zero pixels. THE LADDER (handoff slice 2). Rung N takes design N's name off the chapter roster — the club's dead staff play you at tennis here and come for you in gore, same joke twice — plus a personality that is DIALS, not new mechanics: pace, width, flub and speed scalings multiplying numbers racketAI already reads. A rung is a data row. Name plate on the walk-on, and the kill files under the rung rather than under the generic body. THE STATS SCREEN follows the mode split: BODY COUNT / THE LADDER / THE RECORD behind a mode strip, each with its own three figures, its own roster heading and its own footer. The weapon shelf and the roster hide in the modes that have neither, rather than printing a line about something the mode cannot do. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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