wuwiandClaude Opus 5
5f53a686c8
Oliver on the first pass: "the new lighter areas read as rather sloppy artwork. please regenerate the crowd art and make it more detailed. also the animation also looks pretty artificial. the flashes from the fotographs are too rare and the whole thing somehow does not translate well to the other courts. also when the opponent makes a point there is an aww-sample (which has an applaus trail) so the crowd should still clap but more subtle." The paint pass is deleted — recolouring blobs of an old drawing is not drawing, and the reason it looked necessary was a wrong conclusion: the roll scripts read OPENROUTER_API_KEY from the repo's .env, so the art could be rolled all along. _crowdroll.py rolls the crowd itself: individually drawn spectators with hats, sunglasses, drinks, cameras, flags and banners, empty seats, stairways, and three zombies sitting in the middle of it behaving like furniture. ONE roll now serves all three courts through a per-channel histogram match onto each court's old palette, so anything the art gains shows up on clay and at night too. _crowdpass.py keeps only what was empty stand in the seated roll and became a person in the clap roll — the raised arms, 1.2% of the sheet — so the clap frame cannot drift by construction, and writes a box around each pair of arms into src/crowd.js. render.js raises ONE SPECTATOR AT A TIME out of that table, each on their own period: the 16-column strip swap moved a seventeenth of the crowd as a block, which is what read as machinery. crowd.pop is now a head count, so the same code covers a dozen people and the whole stand, and past 0.75 the wave travels person by person. aww() sets a small crowd.pop of its own — the sample is a groan that settles into applause, and the stand has to match what you can hear. flashEvery 5.0 -> 1.9, because at a five-second mean over a stand this wide nobody ever saw one. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>