The ladder has names, the bodies play tennis, and the stats screen splits

THE SPRITES. The match opponent borrowed the turned CPU's art — a body drawn
to SHAMBLE at the camera with its racket hanging at its side, which is what
was playing tennis points against you. It has its own family now, 'r', drawn
off the LIVING opponent's poses: a ready stance, a shuffle pair and a real
forehand, at every wound stage, men's and women's — 20 frames, six batches.
'c' keeps its shamble untouched, because in the gore mode shambling is exactly
what the turned CPU should be doing. The pose comes from racketAI's own
`pose`, so the picture cannot drift from the behaviour, and a one-armed
opponent still plays tennis instead of reverting to a walk.

Two pipeline bugs found doing it, both fixed at the root in assets/:
- _fine.py keyed EVERY magenta pixel, not just the background, and the
  generator paints racket strings in the backdrop colour more often than not —
  so frame after frame installed a man holding an empty hoop. Background is now
  the region connected to the border; magenta left INSIDE a body is repainted
  pale grey rather than punched out.
- the flood fill silently did nothing, because Image.fromarray images are
  read-only and PIL's floodfill swallows the write error. .copy() plus a real
  error if it ever fills zero pixels.

THE LADDER (handoff slice 2). Rung N takes design N's name off the chapter
roster — the club's dead staff play you at tennis here and come for you in
gore, same joke twice — plus a personality that is DIALS, not new mechanics:
pace, width, flub and speed scalings multiplying numbers racketAI already
reads. A rung is a data row. Name plate on the walk-on, and the kill files
under the rung rather than under the generic body.

THE STATS SCREEN follows the mode split: BODY COUNT / THE LADDER / THE RECORD
behind a mode strip, each with its own three figures, its own roster heading
and its own footer. The weapon shelf and the roster hide in the modes that
have neither, rather than printing a line about something the mode cannot do.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>

assets/_regen_batches.json

@@ -1187,7 +1187,7 @@
   "state": true,
   "check": "loose",
   "anchor": 0,
-  "subject": "Four frames of the FEMALE ZOMBIE TENNIS PLAYER shown in the FIRST reference image — the same dead woman: matted ponytail, red headband, torn red shirt, dark pleated tennis skirt, grey-green corpse skin, sunken eyes, a wooden racket in her hand. The OTHER reference images are a LIVING tennis player and are there ONLY to show the POSES to copy — never the character, never the clothes, never the skin. HER KIT IS FIXED AND MUST BE IDENTICAL IN EVERY FRAME: matted blond hair in a PONYTAIL, a RED CLOTH HEADBAND tied round her forehead, a torn red short-sleeved tennis shirt, a DARK PLEATED TENNIS SKIRT ENDING ABOVE THE KNEE, bare grey-green dead legs below it, white socks and white tennis shoes, and a wooden racket with a pale strung head. Frame 1: the READY STANCE — copy the pose of reference image 2 exactly: knees bent, weight forward on the toes, the racket held UP in front of the body in both hands, chest and face square to the viewer, waiting to return a serve. Frame 2: a SIDE SHUFFLE STEP toward the viewer — copy the legs of reference image 3, left leg driving out, the racket still held up ready in front. Frame 3: the same shuffle with the RIGHT leg driving out instead — identical to frame 2 in every other respect, only the legs swapped. Frame 4: a FOREHAND SWING at the moment of contact — copy the pose of reference image 4 exactly: the body rotated, the arm extended across, the racket head out to the side at waist height, weight on the front foot. Output exactly 4 figures side by side in ONE horizontal row, all the same height. "
+  "subject": "Four frames of the FEMALE ZOMBIE TENNIS PLAYER shown in the FIRST reference image — the same dead woman: matted ponytail, red headband, torn red shirt, dark pleated tennis skirt, grey-green corpse skin, sunken eyes, a wooden racket in her hand. The OTHER reference images are a LIVING tennis player and are there ONLY to show the POSES to copy — never the character, never the clothes, never the skin. HER KIT IS FIXED AND MUST BE IDENTICAL IN EVERY FRAME: matted blond hair in a PONYTAIL, a RED CLOTH HEADBAND tied round her forehead, a torn red short-sleeved tennis shirt, a DARK PLEATED TENNIS SKIRT ENDING ABOVE THE KNEE, bare grey-green dead legs below it, white socks and white tennis shoes, and a wooden racket with a pale strung head. Frame 1: the READY STANCE — copy the pose of reference image 2 exactly: knees bent, weight forward on the toes, the racket held UP in front of the body in both hands, chest and face square to the viewer, waiting to return a serve. Frame 2: a SIDE SHUFFLE STEP toward the viewer — copy the legs of reference image 3, left leg driving out, the racket still held up ready in front. Frame 3: the same shuffle with the RIGHT leg driving out instead — identical to frame 2 in every other respect, only the legs swapped. Frame 4: a FOREHAND SWING at the moment of contact — copy the pose of reference image 4 exactly: the body rotated, the arm extended across, the racket head out to the side at waist height, weight on the front foot. Output exactly 4 figures side by side in ONE horizontal row, all the same height. The four figures MUST NOT TOUCH OR OVERLAP each other in any way — leave a WIDE band of empty magenta between every pair, wider than a figure, including between their rackets and their outstretched arms. "
  },
  "racket_f_w1": {
   "sprites": [