Commit Graph
3 Commits
Author SHA1 Message Date
wuwiandClaude Opus 5 9cc3ac54b3 The dead club doubles its staff, and the draw is made where you can see it
Six new opponent families (head coach, stringer, strawberry seller, chair
umpire, spectator, roller man) through the famroll/zsheet route, placed by
hierarchy into an 18-rung ladder; the champion steps up behind them.

THE DRAW: picking the tournament now rolls its own bracket in front of you —
only the final was ever settled — and what lands is what walks on.

Netplay, off Oliver's cellular report: the mid-flight early-decide was missing
its !G.net gate, so the striker judged its own outbound flight and the two
scoreboards drifted a point apart into a court nobody could serve on. The
host's court now rides the room, its scoreboard rides the pretoss stream, and
a called ball rolls to its own halt instead of freezing where the call caught it.

Plus the night court, and somebody in the stand is taking pictures.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-15 11:49:19 +02:00
wuwiandClaude Fable 5 d87fbbda56 The card wears the gore-mode face: heads cut from the horde bodies
Oliver: the tennis-family sprites are optimised for movement, not gore — the
card should lead with the zombie. Each family already anchors on a horde body
(_famroll.FAMS reads its character from one), so _heads.py now cuts the icon
from THAT sprite instead of the fam_ sheet's tennis stance: the face on the
card and the monster on court are the same person, in the gorier print.

No resize, no requantise on the way: drawCard scales the PNG itself with
smoothing off and only reads the aspect, so the crop ships as a native-size
window onto art that is already flat pixel art. The top-down head detector
survives for the four bodies it works on; seven get hand boxes, because the
horde bodies carry PROPS — the keeper's ball launcher and the physio's
stretcher ride above their heads, the director holds a walkie-talkie level
with his, and the brute's and champion's shoulders are wide enough that a
full-silhouette crop at head depth came out 2.2:1 and starved the card title
of room. SPRV 113 -> 114.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
2026-08-14 09:12:09 +02:00
wuwiandClaude Fable 5 c6218a6284 Exact touchdown, the boy finishes his shift, healing announces itself, 4K heads
Five of Oliver's six (the sixth is a play-mode discussion):
- THE DOUBLE FAULTS WERE FRAME QUANTIZATION: the bounce registered a full
  integration step after true contact — ~0.75 m of travel at serve pace — so
  serves aimed half a metre safe were judged long. Classic enforces the
  service box, the match only the court, hence 'zombie tennis does not'.
  The bounce now rewinds to y=0 before anything reads the position.
  Measured in-pane: 30/40 faults on good taps before, 0/40 after (mistimed
  and smudged taps also 0/40; aimed hard serves keep their scatter risk).
  Also: the strike flick dead zone is 44 px so a smudged tap stays a tap,
  and the aim base clamps 0.18 m inside the lines — scatter, not the aim,
  is what faults.
- The mop beat holds the walk-on until the boy actually LEAVES the court
  (ordered off at beat end, 6 s cap).
- A match game win that restores blood shows the duel's WOUNDS TREATED
  popup; full-blood wins stay silent.
- The opponent walk-on card holds 4.0 s (was 2.4).
- Card heads are cut from the 4K sheets at 144 px (assets/_heads.py,
  z_<fam>head.png, HEAD_CROP stays as fallback) — the old 65 px crops were
  the 'very low res' heads.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
2026-08-13 21:09:04 +02:00