Far bodies draw off a flattened scale curve, and the camera leans into the deep court

Oliver: the far-side opponent is barely visible in portrait, and the lens was
already at its measured ceiling. TUNE.farK (0.25) grows far bodies ~20% while
the court keeps the true projection — the 16-bit tennis trick, anchored so the
near player is untouched. TUNE.farCamY/farCamZ add a broadcast lean while the
ball is on the far half, pivoted about the player's feet (fOff) so the pull
room the apron math promised never moves. Both live in the T panel; both
awaiting the phone verdict — see the PROJECT.md session log.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>

index.html

@@ -431,6 +431,6 @@ if (location.hostname !== 'splatter-tennis.wuwi.one') {
     </div>
   </div>
 </div>
-<script type="module" src="src/main.js?v=209"></script>
+<script type="module" src="src/main.js?v=210"></script>
 </body>
 </html>