Turn the player around, point the runner at you, match the wounds

The playtest list, art side. The generator had been copying the very frames I
wanted changed, so:

- The player is drawn FROM BEHIND again in every pose — standing, bouncing,
  serving, swinging. He had turned to face the camera in the redraw, which is
  also why he "looked at you" in different poses.
- The serve frames are back at full size. That batch had been anchored on the
  toss frame, so the whole serve set came out about a fifth too small.
- The runner CHARGES AT YOU down the court instead of sprinting sideways across
  it, which is what he actually does in the game.
- The brute's wound stages are drawn a pair at a time from their own A frame, so
  the injury stops moving between the two feet.
- The bounce frames had a ball painted into them while the game draws a live one
  on top — he was bouncing two. The painted one is gone, and the live one now
  falls on the side the sprite actually reaches for.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>

assets/_regen.py

@@ -120,7 +120,7 @@ def run(name, spec, dry=False):
     # that already has blood on it starts high, so a genuinely finer wounded body gains less). A
     # REPOSE — turning the player around, pointing the runner at the camera, matching a wound between
     # two frames — is already fine art and only has to come back no worse.
-    bar = 1.25 if spec.get('check', 'finer') == 'finer' else 0.85
+    bar = {'finer': 1.25, 'same': 0.85, 'loose': 0.7}[spec.get('check', 'finer')]
     if sum(after) / len(after) < sum(before) / len(before) * bar:
         print(f'[{name}] REJECTED: not finer than what it replaces {before} -> {after}'); return False
     for o, s in zip(outs, sprites):