The camera holds still: the ball-follow lean zeroed on Oliver's verdict

The flattened body curve stays (farK 0.25 — 'really good, helped a ton'); the
broadcast lean was 'distracting' and its knobs sit at 0 like the aimCam pair.
The plumbing stays for the T panel. PROJECT.md: farK is now a settled feel
decision.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>

src/config.js

@@ -283,10 +283,11 @@ export const TUNE = {
   // BALL-FOLLOW LEAN (tennis + match only): while the ball is on the FAR half the camera eases
   // toward camY+farCamY / camZ+farCamZ — a broadcast-style lean into the deep court. It pivots
   // about the near player's feet (see fOff in render.js), so his stance and the pull room the
-  // apron math promised never move. Both 0 = the camera holds still. Defaults are deliberately
-  // shy of visible: the phone (not the desktop pane) is where a moving camera gets its verdict.
-  farCamY: 0.35,    // m of camera rise while the ball is far (steepens the look-down)
-  farCamZ: -0.6,    // m of camera dolly while the ball is far (negative = closer)
+  // apron math promised never move. Both 0 = the camera holds still, which is where Oliver
+  // landed ("the camera movement is distracting") — the same verdict the aimCam pair got. The
+  // flattened body curve above carries the far-court read on its own.
+  farCamY: 0,       // m of camera rise while the ball is far (steepens the look-down)
+  farCamZ: 0,       // m of camera dolly while the ball is far (negative = closer)
   backstopZ: -1.8,  // z of the far backstop — must sit IN FRONT of the -2 retire line, or balls die before they reach it
   backstopKeep: 0.55, // pace a ball keeps after the rebound — still lethal, slower
   backstopPop: 1.8,   // m/s of lift off the fence, so the rebound travels back instead of dying at the net posts